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March 2, 2010
Multiband Harmonic Exciter

Is there any use for a multiband harmonic exciter? A harmonic exciter, I thought and correct me if I'm wrong, adds a high frequency "touch" to a sound. Couldn't an EQ do the same thing? What would be the advantage of multiband harmonic exciter? Harmonic exciters are different than EQ. EQ simply boosts or cuts […]

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February 1, 2010
Noticeable delay signal

Recently I mixed a song down from 16 bit WAV into WMA format and sent it to several friends via email to take a listen. One comment that came back was that when listening over speakers/monitors, the delay used on the vocals could be heard, almost as a separate entity, especially at the beginning of […]

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January 22, 2010
Depth through EQ

I'm attempting to mix a song and am trying to create a sense of depth. The delays are working well as are the reverbs. However, my question is more concerned with EQ'ing for a sense of depth. Instruments that are "right in your face" are the brightest, and as you move back (depth) in the […]

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January 4, 2010
Reversing phase to get rid of noise

In theory, reversing phase on a noisy signal should get rid of unwanted noise, right? I have a guitar signal I've recorded using a small headphone AC powered amplifier. The sound is great except that it contains a "buzz" that is very noticeable during the silent parts. I copied the buzz to another track and […]

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November 30, 2009
Are frequencies additive?

My question regards the additive or non-additive nature of frequencies. For example, if I have 2 frequencies at 500 Hz each at -6 dbs, and maintaining that same volume, if both frequencies were played simultaneously, would the result be -4 or -3 dbs at 500 Hz? Keeping that same scenario in mind, what if 2 […]

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November 6, 2009
Parallel vs serial compression

I'm wondering if someone could explain what serial compression and parallel compression is, and the advantages of each and when one would be used vs the other. Serial compression is when the compressor is inserted in the signal chain and you use 100% of the processed/compressed signal. Parallel compression is when you set up a […]

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October 29, 2009
Use of compressor on early records

I greatly appreciate this site. It is such a treat to be able to speak to experienced and knowledgeable mixers. Question: I know technology in the recording field has come far in the last 40 years, but compressors were around in the 60's yet you do not hear the "punch" on those records like you […]

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October 27, 2009
Pitch Correction

Tonight my wife and I were listening to a young country singer on television. My girls have her CD and so we, of course, have heard it many times. My wife made the comment that she (the singer) didn't sound nearly as in tune as she does on her records. Bar the singer having a […]

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October 26, 2009
BBE Sonic Maximizer

Question: I have a 2 channel BBE Sonic Maximizer (the rack mounted version). Theoretically, it claims to "realign the frequency or frequencies" that get "bent out of shape" when being reproduced out of a speaker. When recording with a DAW, is there any reason to use it? Can it improve the formation of a digital […]

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October 3, 2009
Fitting frequencies together

This is my first post on this forum. Somehow I lost my original post after I previewed it. I read the article "3D and the Art of Mixing," I think it was called, where it discussed fitting frequencies together to keep mixes from getting messy, heavy, conflicting, etc.... My question: if two instruments both have […]

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