Less is More – Bigger sounds through simplification

Less is More! Bigger Sounds through Simplification

Want bigger & fuller sounding songs?  Less is More! The biggest problem I encounter with inexperienced artists, producers, and engineers these days is that there is too much of everything.  Too many parts in the song arrangements.  Too many tracks

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Posted in Mixing, Music Production, Recording, Songwriting

Reducing plosives (pops) with EQ

Pop filters don't always work

Even with pop filters in front of a microphone, plosives (pops) can still be an issue with some vocalists. However, there is a relatively simple fix that can quickly reduce or eliminate those loud pops from your vocal tracks.  Use

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Maximize Your Recording Budget

Revised & Updated! This is an old article I wrote in the early 90s. Quite a bit has changed since then, but most of the advice here still applies. With the reworking of my site in 2012, I have gone

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Posted in Mastering, Mixing, Music Business, Music Production, Recording

Inserts vs Effects Sends – Which to use for what

Many young engineers, and home recording enthusiasts, have never worked with an analog console before, and they only mixer they have ever used is that built into their DAW software of choice. They may have had no formal training, and thus may be unfamiliar with the way channel inserts and effects sends, or aux sends, are traditionally used, especially in the big studios with big analog consoles. While there is no right or wrong way to do anything, and modern DAW software and computers have enough power to do almost anything you want, there are reasons why the more traditional methods of using inserts and sends were established.

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Why your mixes sound soft compared to commercial release

Recently I had an artist ask me why the mixes he does in his home studio sound so much softer than the commercially released music he buys. I thought that everyone already knew about the whole “loudness wars” craze that

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Better Mixes through Subtraction

One of the problems with recording technology today is that you can have pretty much unlimited audio and MIDI tracks. Today’s computers and hard drives are more than fast enough to easily handle 100 audio tracks or more, and virtually

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Using Reference CDs to improve your recordings and mixes

So, you’ve put a lot of time and energy into recording and mixing you latest and greatest song. You’ve finally got it to the point where it sounds great in your own studio and you can’t wait to play it

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Can You Really Do It All Yourself?

Recently, someone was thinking about buying a digital recording system and was wondering if he really could get major label quality results from a low budget home studio system.  He was specifically concerned about whether or not he would be

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Compression – A Simple Explanation

My simple explanation of compressors, how they work, and how you can use them. A compressor is basically a variable gain device that is used to either try to smooth out the dynamic range of a signal, or is also

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3D Mixing and the Art of Equalization

Here is a reply of mine to a person who asked about sound sculpting during a mix. Regarding sound sculpting, let me tell you about a very common mistake that beginners make during mixing (and sometimes tracking): An all too

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