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Well, even with a multi-band harmonic exciter, you wouldn't be able to apply it to just one frequency. Even with very steep filters on the band-pass filter, you'd still be affecting a certain range of frequencies.
Certainly harmonic exciters could be useful for an entire mix in a restoration type situation when you need to add some high frequencies back to old tape recordings, for example, that have lost their high end over the years.
If it was a song I was mixing today that had been already tracked and recorded digitally, and recorded well, you wouldn't have a problem with lack of high frequencies (probably the opposite), and so putting an exciter across the entire mix would probably not be a great idea unless used VERY subtly to try to add a touch of "warmth" to the mix (mostly with even order harmonics, such as from tube emulations and such).
But, yes, I think it's more usable on individual tracks. I did some mixes late last year where the artist had used lots of loops and samples he created from very old recordings, and I used some harmonic exciter type plug-ins to add some high end to some of those.
Of course, it's not always about adding high end. As I mentioned, it can be used to make the bass more present and loud without boosting the low frequencies. With even order harmonics, you get more of a sense of what people describe as "warmth" or fullness, without necessarily adding additional perceived high end. Some of the exciters let you choose even or odd harmonics or a blend, or different types of emulations (tube, solid state, tape, etc.).
Steve
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